Der Isländische Electronic Artist und Gründer von bbbbbb Bjarki mit seinem neuen Album "happy earthday" auf !K7 Records.
Electronic artist and founder of bbbbbb Bjarki announces new album ‘Happy Earthday’ with a slew of tour dates in the new year, including shows in London, Berlin, Paris, Amsterdam, Sydney and Barcelona.
“Maybe you can feel the melancholy of my life, the nature overall. Volcanos and the lava flowing down the slopes, the frightening noise of the ocean beating the land, the strong wind in the mountain passes and a glimpse of the first ray of the rising sun over the glacier. Now that is the dawn of a new day.”
An expressive electronic album filled with sadness, yet one with the sort of positive, stirring resolve that leaves you feeling utterly comforted, Bjarki’s new album ‘Happy Earthday’ is influenced by his home country Iceland as well as environmental issues.
Having released bodies of work on Nina Kraviz’s label and his own label bbbbbb, Bjarki views ‘Happy Earthday’ as his proper debut album; he feels it’s a more coherent and conceptual body of work that finds him offering up music he never thought he would release. “You can consider this album a window into my head and even my soul,” says Bjarki. “For me it is a bit odd, sharing like this to the world. As a very private person I am not used to opening my door so completely. It’s a little scary for me. ‘What if …’ I wonder, expecting all kinds of everything.”
The album contains very personal material written over the last decade during fragile moments of introspection. And because of that, “releasing this album is also a kind of a farewell to music I made in a certain period in my life. It’s like I’m saying farewell to a
grown-up child which is now ready to leave the nest.”
There are skeletal rhythms with sombre chords lingering in the air, downbeat drums with heavy moods, and moments of more uplifting optimism along the way. Throughout the album - made up of comparatively short tracks that help the whole thing move at an
engaging pace - Bjarki always manages to make his machines sing with real resonance; they ooze genuine pain and a stunning sense of melancholy that is comforting even when the tempo is raised and drums come to the fore.