"More Energy Fields, Current" ist der bisherige Höhepunkt im Schaffen deds Producers/Percussionisten Carlos Niño. Um sich verssammelt hat er mehr als ein Dutzend hochkarätiger Szenegäste aus Los Angeles, wo er seit über 2 Dekaden ansässig ist: Sam Gendel, Nate Mercereau, Jamael Dean, Jamire Williams, u.v.m. Zusätzlich zur regulären CD bzw. LP gibt es eine streng limitierte farbige Vinyl Variante exklsuiv für Indie-Stores.

The album is ripe with “ambient” passages that function like open portals between moments of consonance and clarity, and epic post-hip hop opuses like the heavy/heady “Thanking the Earth.” But even in the occasional absence of drums, there is a powerful pulse implicit in the program’s frequency of consciousness. It’s a testament to Niño’s foundations as a DJ. His distinct ability to craft a kinetic, cinematic sonic experience from dozens of independent, often rhythmically-ambiguous improvisational memories is more fluently displayed on More Energy Fields, Current than anything we’ve heard from him to date. It resonates, lucidly, with the way Niño’s mentor Iasos – who is known to the world as an original founder of New Age music – has described his work: "Real Time Interactive Imagination, Flow Texturization."
On More Energy Fields, Current, Niño immerses us in the watery depths of his world, spiriting us like a submarine through exotic nether-leagues of untouched sound. And when we arrive at the final, bookending piece “Please, Wake Up.” (an extended version of the opening theme, featuring saxophonist Shabaka Hutchings), it’s like a return, safely to shore.