Bestehend aus Musikern von Neuseeland bis Berlin trumpfen GLASS VAULTS auf ihrem neuen Album 'The New Happy' mit einer bunten Mischung aus frischem Psychedelic Pop bis Elektronik auf - der Titel des Albums ist Programm: "If you want to know the secret to happiness, look no further than transcendental psychedelic pop outfit Glass Vaults." Keine Frage, dass die Band besonders in ihrer Neuseeländischen Heimat, in Australien und Kalifornien besonders populär ist.

If you want to know the secret to happiness, look no further than transcendental psychedelic pop outfit Glass Vaults. The New Zealand via Berlin band led by Richard Larsen, Rowan Pierce and Carpark Record’s signee Bevan Smith, create a unique concoction of joyously uplifting pleasure in their sonic laboratory and The New Happy is the result – an exploration of the euphoric sensations associated with Autonomous Sensory Meridian Response (ASMR).
Glass Vaults' sophomore LP was recorded and mixed to seduce. ASMR, otherwise known as a “brain orgasm,” is an aurally triggered euphoric experience characterised by a tingling in the scalp which travels down the neck and spine and The New Happy was specifically mixed to elicit an ASMR effect. “We focused on retaining short high frequency transients and worked on modulating and panning certain sounds to induce goose bumps and shivers when listened through headphones,” Smith explains of the record’s atmospheric ambiance. “It looks not to emulate a sexual high, but a deeper, euphoric wave, that washes over the body in feelings of comfort and security… a new kind of happy.”
“We have always considered Glass Vaults to be an extension of our larger artistic interests and process,” Richard reveals. “One thing which has never changed is our goal of creating music that fully immerses those who experience it. We’re creating worlds and stories to fully transcend the audience.”
Whether it’s capturing the feelings brought about by recollections of the pair’s pre-teen days chatting with friends on MSN and downloading music from Napster (‘Savant’) sitting on Manhattan rooftops (‘Brooklyn’) or watching the sun rise after a long cold winter (‘The New Happy’), each song is a shot of serotonin to the synapses. Speaking of the title-track Larsen says; “I was interested in creating the feeling of the classic New Zealand summer. When I listen to this song I imagine a Fruju iceblock advert shown there in the 90s. Young beautiful people jumping off a boat, eating ice blocks and singing “Ooh Aah!”
Not stopping at physical pleasure, The New Happy’s absorbing soundscapes delve deeper into the unconscious by exploring nostalgia and dreams; ‘Rewind’ was inspired by a dream of hitting rewind on life whilst ‘Mind Reader’ refers to the way dreams linger, well into waking hours.
The New Happy sees the band peeling away at a once hazy veneer to reveal vibrant and colourful majestic pop moments crafted with precision and clarity. “The New Happy is a sonic departure for us… where once we would have relied on large crystalline reverbs, this record takes cues from intimate spaces, percussive rhythm and groove to elicit a different kind of transcendence.” Glass Vaults’ unique brand of dreamy psychedelic pop has wowed capacity crowds everywhere from drained swimming pools and humid forests, to New Zealand, Australia, and the U.S.A.