“She Makes War is fucking amazing”, sagt Amanda Palmer, und von der Presse wird Laura Kidd schon seit ihrem letzten Album "Direction of Travel" hochgefeiert. Ihre neuen Songs haben etwas von 1990er Britpop àla Dubstar, Echobelly, Blur oder Elastica mit einem Schuss US-Rock àla Weezer, Soundgarden und Sleater-Kinney bis zum Grunge von Nirvana. Live - zuletzt als Support des BRIAN JONESTOWN MASSACREs auf Tour - ist SHE MAKES WAR der pure Adrenalin-Kick.

Right now, the world needs a warrior. Town by town and tour by tour, She Makes War has been widening her battle stance and soothing tortured souls with her no holds barred, peaceful protest music. Armed with songs to persuade and words that bite then linger with the sweetest aftertaste, She has a message – wake up world and Brace for Impact.
“People still live in fear of persecution and violence every day for the “crime” of being themselves,” attests the nom de plume of melodic visualiser, storyteller and creator Laura Kidd. “With everything that’s going on in the world, adopting a brace position to protect ourselves from external forces is more important than ever.”
From broken hearts to broken bones, Laura was given plenty of time for rumination when she broke her right foot moments before supporting The Brian Jonestown Massacre. Tumbling off a darkened stage during soundcheck, adrenaline kicked in and, ever the fighter, the show went on. With barely enough time to visit A&E, a face full of glitter and steely resolve, she performed a slew of summer festival sets and a BBC 6Music Marc Riley session sporting a fetching knee crutch.
“Having my mobility stolen from me was exhausting and depressing. I’d come up with the album title while driving on tour, daydreaming about what it must be like to be in a high-speed car crash – I’d wondered whether there would be time to apologise to my passenger if we got in an accident…it was a bit dark”, she recalls. “After struggling through the summer with that phrase in my mind, then finding it written in the venue toilets at the end of a tour in Brighton, it just had to be the album title.”