Der Berliner Produzent Adam Longman Parker mit "Colored", seiner ersten ganzen LP unter dem Moniker "AFRIQUA". Das Album ist ein Statement der vielfältigen Kultur Afrikas im Prisma der elektronsichen Musik.
After releasing successful singles “Soul Correction,” and “Chronic Cool,” and the back-to-back Aleph and Vice/Principle EPs, a full-length album was the ideal format for Parker to expand on the sounds typified in his dancefloor productions. Colored is a natural culmination of Parker’s stylistic spectrum, spanning from house and techno to experimental and abstract electronica.
His heightened attention to production quality was inspired by seminal records in the canon of Black music, including work by Quincy Jones, Roy Ayers, and Weldon Irvine (who also hailed from Hampton, Parker’s hometown in Virginia). Colored, h owever, is a distinctly “un-nostalgic” album and these classics served more as archetypes of musical achievement than bases for imitation. “To the extent that it hearkens back, it does so in the sense of the sequencing and arrangement, in the pursuit of sonic accomplishment across the record," says Parker.