Strut continue their acclaimed ’Next Stop Soweto’ series in March 2014 as they return to the rich archives of South African music to spotlight the fertile era of the late ’70s and early ’80s. Tightly controlled by oppressive
Apartheid laws, South Africa’s music scene had nevertheless progressed into myriad new directions, embracing funk, soul, rock and disco. The era marked a crossroads for the country’s black musicians. While
domestic stars of mbaqanga like Mahotella Queens had temporarily disbanded during the onslaught of disco, younger artists like T.Y. Boys and Elias Maluleke embraced and progressed the style in new ways,
adding punk and disco touches to the familiar bassline swing. Imported US R&B and the powerful socio-political message of the Afro-American soul stars, championed by pioneering producers like Hamilton
Nzimande in South Africa since the ’60s, continued to be a powerful force. Influenced by bands as diverse as War, Edwin Starr and Yes, as well as producers like Norman Whitfield, South African collectives including Xoliso, Marumo and Kabana new soul and rock directions, led by Zulu lyrics, township harmonies and top level musicianship.