The airy snare and pulsing bass that open the album act as fanfare, like Boeldt welcoming the listener into the spacious new environment of Lesser Known. His aesthetic remains grounded in the 1980s, but the songs sound more like retro-futuristic radio hits than the arcadeconjuring modulations of his first release. On tracks like “Fool’s Paradise” and “Smoke and Mirrors,” Boeldt splits the difference between New Order and Nu Shooz, creating a sound that could please even the most cynical bedroom moper while gratifying any party-goer who’s simply looking to dance.